{"id":12276,"date":"2023-05-25T14:07:11","date_gmt":"2023-05-25T12:07:11","guid":{"rendered":"https:\/\/glasniidei.mk\/?p=12276"},"modified":"2023-05-25T14:07:13","modified_gmt":"2023-05-25T12:07:13","slug":"ivana-kotsevska-per-baletin-maqedonas","status":"publish","type":"post","link":"https:\/\/glasniidei.mk\/?p=12276","title":{"rendered":"Ivana Kotsevska p\u00ebr baletin maqedonas"},"content":{"rendered":"
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\"\u0418\u0432\u0430\u043d\u0430
\u0418\u0432\u0430\u043d\u0430 \u041a\u043e\u0446\u0435\u0432\u0441\u043a\u0430 \u0432\u043e \u0416\u0438\u0437\u0435\u043b \u0444\u043e\u0442\u043e \u041c\u0430\u0440\u043a\u043e \u0423\u0433\u0430\u0440\u043a\u043e\u0432\u0438\u045c<\/figcaption><\/figure>\n<\/div>\n\n\n

Intervist\u00eb me Ivana Kotsevska<\/strong><\/p>\n\n\n\n

Ivana Kocevska \u00ebsht\u00eb artiste baleti, koreografe dhe mjesht\u00ebr n\u00eb pedagogji baleti. Ka dy dekada q\u00eb punon si solist i shquar n\u00eb Oper\u00ebn dhe Baletin e Maqedonis\u00eb. Ajo interpreton role solo dhe kryesore n\u00eb balet si “Arr\u00ebthyesi”, “Liqeni i Mjellmave”, “Bukuroshja e Fjetur”, “Don Kishoti”, “Napoli”, “Samson dhe Delilla”, “Carmen”, “Zhisell”… Ajo ka punuar si mysafire – soliste n\u00eb Baletin Komb\u00ebtar Slloven n\u00eb Lubjan\u00eb dhe Wurzburg ku ishte e ftuar nga Anna Vita dhe p\u00ebr nj\u00eb vit ishte pjes\u00eb e Baletit Komb\u00ebtar t\u00eb Ukrain\u00ebs “Taras Shevchenko” si praktikante, ku n\u00eb m\u00ebnyr\u00eb premiere e shfaqi rolin e Mirt\u00ebs n\u00eb baletin “Zhisell”. Produksioni i saj i par\u00eb madhor “Metamorfoza” u shfaq premier\u00eb n\u00eb sken\u00ebn kryesore t\u00eb Baletit Komb\u00ebtar me mb\u00ebshtetjen e Ministris\u00eb s\u00eb Kultur\u00ebs s\u00eb Maqedonis\u00eb, prodhuar nga Drejtoria p\u00ebr Kultur\u00eb dhe Art, Shkup. N\u00eb vitin 2021, ajo performon n\u00eb festivalin DAYS OF MAQEDONIA MUSIC – DMM me vepr\u00ebn e saj\u00eb t\u00eb fundit t\u00eb titulluar “Chance Dance” – nj\u00eb projekt audio dance q\u00eb \u00ebsht\u00eb n\u00eb proces k\u00ebrkimor. N\u00eb maj t\u00eb vitit 2022, me k\u00ebt\u00eb projekt do t\u00eb jet\u00eb mysafir n\u00eb \u201cPOGON\u201d, Zagreb.<\/p>\n\n\n\n

Nikolla Shindre: \u201cIvana Kocevska \u00ebsht\u00eb master n\u00eb Akademin\u00eb e Muzik\u00ebs n\u00eb Shkup, balerin\u00eb \u2013 soliste n\u00eb Oper\u00ebn dhe Baletin Komb\u00ebtar. Ajo \u00ebsht\u00eb e njohur p\u00ebr publikun si interpretuese e baletit klasik, si k\u00ebrcimtare bashk\u00ebkohore dhe si artiste \u2013 interpretuese e shfaqjeve t\u00eb pavarura.<\/strong><\/p>\n\n\n\n

Ivana, n\u00ebse pranojm\u00eb teorin\u00eb se arti \u00ebsht\u00eb loj\u00eb, at\u00ebher\u00eb duhet t\u00eb pyesim veten si fillon dhe si mbaron. Cili \u00ebsht\u00eb procesi i formimit t\u00eb nj\u00eb vepre q\u00eb nga momenti kur vjen ideja e par\u00eb deri te komentet e audienc\u00ebs p\u00ebr loj\u00ebn?\u201d<\/strong><\/p>\n\n\n\n

Ivana Kocevska: \u201cDuke filluar nga lindja jon\u00eb, p\u00ebrmes aktiviteteve t\u00eb p\u00ebrditshme \u2013 proceseve mendore dhe fizike t\u00eb pjekurimit gjat\u00eb gjith\u00eb jet\u00ebs, p\u00ebr mua \u00ebsht\u00eb nj\u00eb loj\u00eb p\u00ebrmes s\u00eb cil\u00ebs ne krijojm\u00eb art. N\u00eb vetvete, jeta \u00ebsht\u00eb art. Secili prej nesh krijon \u00e7do dit\u00eb, me vet\u00ebdije ose pa vet\u00ebdije.<\/p>\n\n\n\n

Trupi i nj\u00eb k\u00ebrcimtari \u00ebsht\u00eb nj\u00eb trup vigjilent\/edukuar\/nd\u00ebrgjegjsh\u00ebm q\u00eb ka zhvilluar nj\u00eb proprioceptim t\u00eb mir\u00eb ose shqis\u00ebn e gjasht\u00eb t\u00eb njohur gjer\u00ebsisht. P\u00ebr k\u00ebrcimtarin, trupi \u00ebsht\u00eb nj\u00eb instrument p\u00ebrmes t\u00eb cilit ai shpreh leht\u00ebsisht nj\u00eb gjendje, mendim, histori t\u00eb caktuar. Prandaj, nevoja p\u00ebr ta shprehur i jep artistit nj\u00eb shtys\u00eb p\u00ebr t’u shprehur n\u00eb nj\u00eb form\u00eb kinestetike, p\u00ebr t\u00eb rr\u00ebfyer luft\u00ebn e tij p\u00ebrmes nj\u00eb fjalori t\u00eb caktuar kinestetik individual.<\/p>\n\n\n\n

P\u00ebr t\u00eb realizuar nj\u00eb vep\u00ebr k\u00ebrcimi \u00ebsht\u00eb e nevojshme t\u00eb krijohet nj\u00eb koncept, t\u00eb p\u00ebrcaktohet numri i pjes\u00ebmarr\u00ebsve, t\u00eb p\u00ebrgatitet nj\u00eb korniz\u00eb financiare e nevojshme p\u00ebr realizimin e saj me shpres\u00ebn se fondet do t\u00eb miratohen nga institucionet ku \u00ebsht\u00eb b\u00ebr\u00eb aplikimi. Nj\u00eb penges\u00eb e madhe n\u00eb realizimin e konceptit origjinal t\u00eb vepr\u00ebs \u00ebsht\u00eb mb\u00ebshtetja e pamjaftueshme financiare dhe mungesa e hap\u00ebsir\u00ebs s\u00eb lir\u00eb dhe e kushteve t\u00eb p\u00ebrshtatshme ku do t\u00eb p\u00ebrgatitej dhe realizohej\u201d.<\/p>\n\n\n\n

N. Sh. Ndoshta artist\u00ebt n\u00eb radh\u00eb t\u00eb par\u00eb luajn\u00eb me veten e tyre, por n\u00eb momentin q\u00eb takohen me publikun, di\u00e7ka ndodh pashmangshm\u00ebrisht. Si ndikon audienca n\u00eb krijimin e nj\u00eb vepre arti q\u00eb t\u00eb p\u00ebrfundoj\u00eb?<\/strong><\/p>\n\n\n\n

I. K. N\u00eb tem\u00ebn time t\u00eb magjistratur\u00ebs PRANIMI I PERFORMANC\u00cbS BASHK\u00cbKOHORE N\u00cb KONTEKSTIN KULTUROR MAQEDONAS, fokusi kryesor ishte recepcioni, pra pritja\/pranimi\/ m\u00ebnyra e komunikimit t\u00eb nj\u00eb vepre me audienc\u00ebn, e cila varet nga nj\u00eb s\u00ebr\u00eb parametrash social-kulturor\u00eb dhe u konfirmua si nj\u00eb faktor ky\u00e7 n\u00eb p\u00ebrcaktimin e nj\u00eb propozimi – strategjia q\u00eb p\u00ebrgatita, e cila ishte q\u00ebllimi par\u00ebsor – themelet mbi t\u00eb cilat do t\u00eb vendoset zhvillimi i m\u00ebtejsh\u00ebm i vazhduesh\u00ebm i sken\u00ebs s\u00eb k\u00ebrcimit bashk\u00ebkohor.<\/p>\n\n\n\n

Arnold Hauser do t\u00eb shkruaj\u00eb: \u201cMarr\u00ebdh\u00ebnia mes UN\u00cb dhe TI kusht\u00ebzon shoq\u00ebrisht dy fazat e procesit artistik; \u00e7do UN\u00cb b\u00ebhet objekt p\u00ebr TY dhe secila pal\u00eb fiton kuptim dhe q\u00ebllim n\u00eb raport me pal\u00ebn tjet\u00ebr. Nj\u00eb parakusht p\u00ebr sjellje produktive dhe prit\u00ebse \u00ebsht\u00eb spontaniteti dhe emocionaliteti, q\u00eb do t\u00eb thot\u00eb, nga nj\u00ebra an\u00eb, parandjenja dhe emocione q\u00eb mund t\u00eb komunikohen, dhe nga ana tjet\u00ebr, ata q\u00eb i marrin mund t’i rind\u00ebrtojn\u00eb dhe t\u00eb ndjejn\u00eb empati me ata q\u00eb realisht i japin. ata kan\u00eb nj\u00eb form\u00eb t\u00eb p\u00ebrbashk\u00ebt t\u00eb komunikimit\/gjuh\u00ebs. Nj\u00eb kusht q\u00eb \u00ebsht\u00eb themeli i \u00e7do arti, \u00ebsht\u00eb gjetja e asaj gjuhe\u201d.<\/p>\n\n\n\n

Nga ana tjet\u00ebr, n\u00eb tekstin \u201cMir\u00eb se erdhe n\u00eb mosh\u00ebn e audienc\u00ebs\u201d, kuratori Wuther Heier nxjerr n\u00eb pah pik\u00ebpamjet e tij p\u00ebr sken\u00ebn bashk\u00ebkohore n\u00eb raport me audienc\u00ebn, duke v\u00ebn\u00eb n\u00eb dukje se roli i audienc\u00ebs n\u00eb artin skenik \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb izolohet. nga publiku n\u00eb p\u00ebrgjith\u00ebsi. N\u00eb at\u00eb koh\u00eb, audienca kategorizohej si popull, dhe politika shtet\u00ebrore e bazuar n\u00eb autoritetin, nd\u00ebrtimin e kombit, edukimin, prezantimin e pushtetit, ku publiku \u00ebsht\u00eb vet\u00ebm marr\u00ebsi i vepr\u00ebs. Tashm\u00eb publiku \u00ebsht\u00eb audienca, si\u00e7 thot\u00eb ai: \u201cPubliku \u00ebsht\u00eb forca qeveris\u00ebse q\u00eb vendos se \u00e7far\u00eb do t\u00eb publikoj\u00eb media dhe \u00e7far\u00eb do t\u00eb angazhohen politikan\u00ebt. Por p\u00ebrfundimi baz\u00eb \u00ebsht\u00eb se roli pasiv i publikut \u00ebsht\u00eb shnd\u00ebrruar n\u00eb nj\u00eb koncept t\u00eb s\u00eb shkuar\u00ebs. \u201cTani po vepron publiku. Ne jemi duke shikuar\u201d. Ai do t\u00eb shkruaj\u00eb se \u201cpubliku i munguar ka marr\u00eb pushtetin mbi publikun aktual\u201d. Kjo vjen n\u00eb momentin kur shfaqet shprehja se publiku ka gjithmon\u00eb t\u00eb drejt\u00eb. N\u00eb at\u00eb moment, legjitimiteti i k\u00ebrcimit dhe i teatrit b\u00ebhet gjithnj\u00eb e m\u00eb i varur nga potenciali i publikut. Megjithat\u00eb, slogani \u2013 publiku ka gjithmon\u00eb t\u00eb drejt\u00eb \u2013 mund t\u00eb jet\u00eb i rreziksh\u00ebm n\u00ebse nuk edukohet si\u00e7 duhet. N\u00eb nj\u00eb koh\u00eb (sidomos n\u00eb Ballkan) kur turbokultura \u00ebsht\u00eb n\u00eb rritje, audienc\u00ebs duhet t’i ofrohet nj\u00eb alternativ\u00eb dhe t\u00eb drejtohet, pra nj\u00eb opsion p\u00ebr t\u00eb njohur format e reja.<\/p>\n\n\n\n

N. Sh. Nj\u00eb sh\u00ebnim shum\u00eb interesant n\u00eb lidhje me artin skenik (vall\u00ebzimi, baleti, teatri) \u00ebsht\u00eb konsiderimi i koh\u00ebs dhe relativitetit t\u00eb saj. Ndonj\u00ebher\u00eb p\u00ebr nj\u00eb loj\u00eb t\u00eb shkurt\u00ebr muaj q\u00ebndrojn\u00eb p\u00ebrball\u00eb. Si konsiderohet koha kur p\u00ebrgatit nj\u00eb shfaqje, pra gjat\u00eb provave dhe si kur del n\u00eb sken\u00eb?<\/strong><\/p>\n\n\n\n

I.  K. Procesi i p\u00ebrgatitjes s\u00eb nj\u00eb vepre k\u00ebrcimi \u00ebsht\u00eb gjithmon\u00eb i ndrysh\u00ebm dhe m\u00eb s\u00eb shumti varet nga koh\u00ebzgjatja, kushtet dhe shtrirja e materialit t\u00eb vepr\u00ebs (koreografike, skenografike, kostumografike dhe financiare). Por sigurisht, p\u00ebr t\u00eb p\u00ebrgatitur nj\u00eb shfaqje me nj\u00eb akt prej tridhjet\u00eb minutash, k\u00ebrkohet t\u00eb pakt\u00ebn nj\u00eb muaj pun\u00eb praktike.<\/p>\n\n\n\n

N. Sh. P\u00ebrve\u00e7 k\u00ebrcimit, edhe m\u00ebsimdh\u00ebnia \u00ebsht\u00eb pjes\u00eb e personalitetit tuaj. Jeni edhe m\u00ebsuese baleti. Si \u00ebsht\u00eb t\u00eb m\u00ebsosh nj\u00eb student t\u00eb luaj\u00eb p\u00ebrmes loj\u00ebs? Cilat jan\u00eb sfidat n\u00eb marr\u00ebdh\u00ebnien lojtar-lojtar dhe m\u00ebsues-nx\u00ebn\u00ebs?<\/strong><\/p>\n\n\n\n

I.  K. Kam mbaruar studimet pasuniversitare n\u00eb Fakultetin e Artit Muzikor, n\u00eb bashk\u00ebpunim me Universitetin \u201cSh\u00ebn Kirili dhe Metodi”, Departamenti i baletit klasik – pedagogjia e baletit. Punoj si m\u00ebsimdh\u00ebn\u00ebs me koh\u00eb t\u00eb pjesshme n\u00eb QMBK \u201cIlia Nikolovski – Luj\u201d.<\/p>\n\n\n\n

Baleti klasik ka nj\u00eb form\u00eb strikte dhe studimi i baz\u00ebs s\u00eb tij b\u00ebhet gradualisht dhe me rit\u00ebm shum\u00eb t\u00eb ngadalt\u00eb p\u00ebr t\u00eb mund\u00ebsuar zhvillimin e duhur t\u00eb muskujve t\u00eb trupit tek f\u00ebmij\u00ebt dhe gjithashtu pozicionimin e trupit t\u00eb nx\u00ebn\u00ebsit. Nj\u00ebkoh\u00ebsisht, n\u00eb vijim t\u00eb nj\u00eb programi specifik, po punohet p\u00ebr bashk\u00ebrendimin e l\u00ebvizjes s\u00eb krah\u00ebve, k\u00ebmb\u00ebve dhe kok\u00ebs me muzik\u00eb specifike. Procesi \u00ebsht\u00eb shum\u00eb i ngadalsh\u00ebm dhe \u00ebsht\u00eb nj\u00eb sfid\u00eb e madhe p\u00ebr t\u00eb mbajtur v\u00ebmendjen e nx\u00ebn\u00ebsve gjat\u00eb m\u00ebsimit.<\/p>\n\n\n\n

Baleti k\u00ebrkon disiplin\u00eb t\u00eb trupit dhe mendjes p\u00ebr t\u00eb dh\u00ebn\u00eb rezultate. K\u00ebtu mund t\u00eb shihni se cili f\u00ebmij\u00eb \u00ebsht\u00eb v\u00ebrtet i gatsh\u00ebm t\u00eb p\u00ebrballoj\u00eb sfidat e k\u00ebtij profesioni dhe sa shum\u00eb e do baletin. Kjo \u00ebsht\u00eb arsyeja pse e p\u00ebrmenda m\u00eb her\u00ebt se \u00ebsht\u00eb e d\u00ebshirueshme t\u00eb fillohet n\u00eb mosh\u00ebn 8-9 vje\u00e7.<\/p>\n\n\n\n

N. Sh. Arsimi n\u00eb vendin ton\u00eb nuk \u00ebsht\u00eb m\u00eb i zhvilluari, sidomos n\u00eb aspektin e veprimtarive kulturore dhe artit. Nuk ka shkolla t\u00eb ul\u00ebta t\u00eb baletit jasht\u00eb Shkupit. Si t\u00eb zhvillohet d\u00ebshira p\u00ebr balet n\u00eb ato kushte?<\/strong><\/p>\n\n\n\n

I.  K. M\u00eb duhet t\u00eb pranoj se p\u00ebrve\u00e7 baletit fillor shtet\u00ebror dhe gjimnazit n\u00eb Shkup, nuk ka tjet\u00ebr. Megjithat\u00eb, q\u00eb nga viti 2010, n\u00eb Fakultetin e Arteve Muzikore tashm\u00eb kemi p\u00ebrgatitur staf pedagogjik q\u00eb mund t\u00eb m\u00ebsoj\u00eb njohurit\u00eb q\u00eb kan\u00eb marr\u00eb.<\/p>\n\n\n\n

N\u00eb territorin e Maqedonis\u00eb s\u00eb Veriut ka disa shkolla private t\u00eb k\u00ebrcimit ku m\u00ebsohet baleti dhe k\u00ebrcimi modern, bashk\u00ebkohor dhe popullor. Si fillim mjafton q\u00eb f\u00ebmij\u00ebt e qyteteve t\u00eb tjera t\u00eb fillojn\u00eb arsimin n\u00eb qytetin e tyre. \u00cbsht\u00eb detyr\u00eb e atyre q\u00eb punojn\u00eb me ata f\u00ebmij\u00eb, n\u00ebse njohin talentin, ta rekomandojn\u00eb at\u00eb n\u00eb shkoll\u00ebn shtet\u00ebrore t\u00eb baletit.<\/p>\n\n\n\n

N. Sh. S\u00eb fundi, pavar\u00ebsisht kushteve, d\u00ebshira p\u00ebr t\u00eb performuar me trup nuk do t\u00eb ndalet dhe do t\u00eb shfaqet n\u00eb forma t\u00eb ndryshme. \u00c7far\u00eb do t’u rekomandonit atyre q\u00eb nuk do t\u00eb ken\u00eb mund\u00ebsi t\u00eb merren me balet, dhe do t\u00eb duhet t\u00eb krijojn\u00eb nj\u00eb hap\u00ebsir\u00eb \u200b\u200bp\u00ebr ta mbushur me l\u00ebvizjen e trupit?<\/strong><\/p>\n\n\n\n

I.  K. Ana pozitive \u00ebsht\u00eb se gjat\u00eb koh\u00ebs s\u00eb “Lokomotiv\u00ebs” dhe ekzistenc\u00ebs s\u00eb hap\u00ebsir\u00ebs s\u00eb “Kino Kultura” u realizuan pun\u00ebtori p\u00ebr k\u00ebrcim bashk\u00ebkohor t\u00eb cilat ishin t\u00eb hapura p\u00ebr publikun. Ata ende operojn\u00eb, n\u00eb QKM, n\u00ebn titullin \u201cKULtraining\u201d. Jan\u00eb t\u00eb shumt\u00eb koleg\u00ebt e mi q\u00eb zhvillojn\u00eb kurse baleti p\u00ebr t\u00eb rritur n\u00eb programin e studiove t\u00eb tyre private. K\u00ebshtu q\u00eb tani \u00ebsht\u00eb shum\u00eb m\u00eb e thjesht\u00eb dhe kushdo q\u00eb d\u00ebshiron t\u00eb ket\u00eb mund\u00ebsin\u00eb t\u00eb regjistrohet dhe t\u00eb filloj\u00eb t\u00eb edukoj\u00eb trupin e tij, pra t\u00eb “zgjoj\u00eb” trupin e tij.<\/p>\n\n\n\n

M\u00eb posht\u00eb mund t\u00eb shihni disa fotografi nga performancat e Ivana Kocevsk\u00ebs.<\/strong><\/p>\n\n\n\n

Lekturoi E. M.<\/strong><\/p>\n\n\n\n

P\u00ebrktheu E.  M.<\/strong><\/p>\n\n\n\n

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Ivana Kocevska: \u201cDuke filluar nga lindja jon\u00eb, p\u00ebrmes aktiviteteve t\u00eb p\u00ebrditshme \u2013 proceseve mendore dhe fizike t\u00eb pjekurimit gjat\u00eb gjith\u00eb jet\u00ebs, p\u00ebr mua \u00ebsht\u00eb nj\u00eb loj\u00eb p\u00ebrmes s\u00eb cil\u00ebs ne krijojm\u00eb art. N\u00eb vetvete, jeta \u00ebsht\u00eb art. Secili prej nesh krijon \u00e7do dit\u00eb, me vet\u00ebdije ose pa vet\u00ebdije.<\/p>\n

Trupi i nj\u00eb k\u00ebrcimtari \u00ebsht\u00eb nj\u00eb trup vigjilent\/edukuar\/nd\u00ebrgjegjsh\u00ebm q\u00eb ka zhvilluar nj\u00eb proprioceptim t\u00eb mir\u00eb ose shqis\u00ebn e gjasht\u00eb t\u00eb njohur gjer\u00ebsisht. P\u00ebr k\u00ebrcimtarin, trupi \u00ebsht\u00eb nj\u00eb instrument p\u00ebrmes t\u00eb cilit ai shpreh leht\u00ebsisht nj\u00eb gjendje, mendim, histori t\u00eb caktuar. Prandaj, nevoja p\u00ebr ta shprehur i jep artistit nj\u00eb shtys\u00eb p\u00ebr t’u shprehur n\u00eb nj\u00eb form\u00eb kinestetike, p\u00ebr t\u00eb rr\u00ebfyer luft\u00ebn e tij p\u00ebrmes nj\u00eb fjalori t\u00eb caktuar kinestetik individual.<\/p>\n

P\u00ebr t\u00eb realizuar nj\u00eb vep\u00ebr k\u00ebrcimi \u00ebsht\u00eb e nevojshme t\u00eb krijohet nj\u00eb koncept, t\u00eb p\u00ebrcaktohet numri i pjes\u00ebmarr\u00ebsve, t\u00eb p\u00ebrgatitet nj\u00eb korniz\u00eb financiare e nevojshme p\u00ebr realizimin e saj me shpres\u00ebn se fondet do t\u00eb miratohen nga institucionet ku \u00ebsht\u00eb b\u00ebr\u00eb aplikimi. Nj\u00eb penges\u00eb e madhe n\u00eb realizimin e konceptit origjinal t\u00eb vepr\u00ebs \u00ebsht\u00eb mb\u00ebshtetja e pamjaftueshme financiare dhe mungesa e hap\u00ebsir\u00ebs s\u00eb lir\u00eb dhe e kushteve t\u00eb p\u00ebrshtatshme ku do t\u00eb p\u00ebrgatitej dhe realizohej\u201d.<\/p>\n","protected":false},"author":2,"featured_media":12103,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"categories":[58],"tags":[129],"class_list":{"0":"post-12276","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-58","8":"tag-129"},"_links":{"self":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12276"}],"version-history":[{"count":1,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12276\/revisions"}],"predecessor-version":[{"id":12277,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12276\/revisions\/12277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/media\/12103"}],"wp:attachment":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}