{"id":12204,"date":"2023-04-27T10:40:51","date_gmt":"2023-04-27T08:40:51","guid":{"rendered":"https:\/\/glasniidei.mk\/?p=12204"},"modified":"2023-04-27T10:40:53","modified_gmt":"2023-04-27T08:40:53","slug":"vladimir-jancevski-per-sfidat-kuratoriale-me-inteligjencen-artificiale","status":"publish","type":"post","link":"https:\/\/glasniidei.mk\/?p=12204","title":{"rendered":"Vladimir Jan\u00e7evski p\u00ebr sfidat kuratoriale me inteligjenc\u00ebn artificiale"},"content":{"rendered":"
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\u0410\u0432\u0442\u043e-\u0444\u043e\u0442\u043e-\u043f\u043e\u0440\u0442\u0440\u0435\u0442 \u043d\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438<\/figcaption><\/figure>\n<\/div>\n\n\n

Intervist\u00eb me Vladimir Jan\u00e7evski<\/strong><\/p>\n\n\n\n

Nikola Shindre: \u201cVladimir Jan\u00e7evski \u00ebsht\u00eb kurator, teoricien dhe studiues me p\u00ebrvoj\u00eb n\u00eb fush\u00ebn e kultur\u00ebs dhe artit. \u00cbsht\u00eb fitues i nj\u00eb \u00e7mimi vjetor t\u00eb Shoqat\u00ebs s\u00eb Kritik\u00ebve t\u00eb Artit AIKA n\u00eb vitin 2019, an\u00ebtar i nism\u00ebs artistike \u201cBashk\u00ebpunimi\u201d, organizator i konferencave t\u00eb artit dhe kritik i sistemit.<\/strong><\/p>\n\n\n\n

K\u00ebto dit\u00eb, lajmet n\u00eb lidhje me bised\u00ebn e mundshme me inteligjenc\u00ebn artificiale mbivendosen pa analiza m\u00eb t\u00eb thella t\u00eb cil\u00ebsis\u00eb s\u00eb atij dialogu. Lajme t\u00eb tjera q\u00eb vijn\u00eb kan\u00eb t\u00eb b\u00ebjn\u00eb me gjetjen e objekteve t\u00eb paidentifikuara fluturuese n\u00eb Kanada, Rumani, SHBA. Prej koh\u00ebsh \u00ebsht\u00eb paraqitur si nj\u00eb mund\u00ebsi n\u00eb art. Le t\u00eb fillojm\u00eb me raportin realitet-mund\u00ebsi, si duhet arti ta mendoj\u00eb dhe ta p\u00ebrfaq\u00ebsoj\u00eb at\u00eb marr\u00ebdh\u00ebnie?\u201d.<\/strong><\/p>\n\n\n\n

Vladimir Jan\u00e7evski: “Ndoshta nj\u00eb nga m\u00ebnyrat p\u00ebr t\u00eb verifikuar shkall\u00ebn e besueshm\u00ebris\u00eb \u00ebsht\u00eb t\u00eb k\u00ebrkohet p\u00ebrgjigje p\u00ebr pyetjen nga ChatGPT, dhe nj\u00eb foto portret t\u00eb ri \u00a0t\u00eb bashk\u00ebbiseduesit nga Midjourney ose DALL-E dhe t\u00eb krahasohen. Ballafaqimi i p\u00ebrditsh\u00ebm me artin bashk\u00ebkohor dhe analiza e vazhdueshme krahasuese e tij me artin e s\u00eb kaluar\u00ebs, hap pyetje t\u00eb shumta p\u00ebr rolin e tij, p\u00ebr funksionin e tij n\u00eb tablon\u00eb m\u00eb t\u00eb gjer\u00eb shoq\u00ebrore. Prezantimi juaj m\u00eb shtyn q\u00eb t\u00eb kthehem shpejt n\u00eb shum\u00eb projekte t\u00eb realizuara, por edhe t\u00eb parealizuara, p\u00ebr marr\u00ebdh\u00ebniet e ndryshme q\u00eb u krijuan, p\u00ebr entuziazmin dhe procesin m\u00ebsimor, si dhe krijimin e komunitetit, me bashk\u00ebpun\u00ebtor\u00ebt e menj\u00ebhersh\u00ebm, por edhe me t\u00eb gjith\u00eb autor\u00ebt e t\u00eb cil\u00ebve. pun\u00ebt ju interesojn\u00eb. Nga dit\u00ebt e shkoll\u00ebs s\u00eb mesme, deri te aksionet me koleg\u00ebt e studimit, t\u00eb gjitha diskutimet e nxehta dhe autor\u00ebt e sapo zbuluar, momente emocionuese dhe t\u00eb g\u00ebzueshme t\u00eb rritjes. Dhe menj\u00ebher\u00eb mendoj se ky \u00ebsht\u00eb nj\u00eb proces q\u00eb \u00ebsht\u00eb i ndrysh\u00ebm nga m\u00ebnyra se si \u00a0trajnohet, rikarikohet dhe perfeksionohet inteligjenca artificiale. Arti ka nj\u00eb tradit\u00eb t\u00eb gjat\u00eb t\u00eb pozicionimit t\u00eb kryq\u00ebzimit t\u00eb reales dhe t\u00eb mundshmes, nd\u00ebrsa praktika kuratoriale \u00ebsht\u00eb nj\u00eb lloj p\u00ebrpjekje e vazhdueshme p\u00ebr t\u00eb rishqyrtuar ato marr\u00ebdh\u00ebnie, n\u00ebp\u00ebrmjet zhvillimit t\u00eb kujdesit dhe ndjeshm\u00ebris\u00eb (jo) reciproke, q\u00eb jan\u00eb n\u00eb baz\u00ebn e konstituimit t\u00eb komuniteteve. Sigurisht, p\u00ebrvoja \u00ebsht\u00eb e r\u00ebnd\u00ebsishme sepse idet\u00eb kontestohen dhe p\u00ebrmir\u00ebsohen vet\u00ebm p\u00ebrmes bashk\u00ebpunimeve t\u00eb ndryshme t\u00eb reja dhe mund\u00ebsive p\u00ebr t\u00eb m\u00ebsuar. Ato debate rreth inteligjenc\u00ebs artificiale dhe ndryshimet q\u00eb ajo paralajm\u00ebron n\u00eb komunitetet profesionale nuk jan\u00eb t\u00eb reja, por tani po aktualizohen p\u00ebr shkak t\u00eb mund\u00ebsis\u00eb s\u00eb p\u00ebrdorimit dhe aplikimit masiv t\u00eb tyre. Por mund t\u00eb thuhet se ajo q\u00eb ne e quajm\u00eb inteligjenc\u00eb artificiale nuk mund t\u00eb deprogramohet ende. Me t\u00eb v\u00ebrtet\u00eb tregon rezultate magjeps\u00ebse, ndoshta m\u00eb shum\u00eb n\u00eb fush\u00ebn e rikombinimeve gjuh\u00ebsore sesa n\u00eb fush\u00ebn vizuale. Por lind pyetja, cila \u00ebsht\u00eb k\u00ebtu vlera e re, si p\u00ebrcaktohet p\u00ebrparimi, \u00e7far\u00eb \u00ebsht\u00eb ajo q\u00eb \u00ebsht\u00eb e p\u00ebrsosur? Ndoshta, do t\u00eb b\u00ebhet gradualisht nj\u00eb p\u00ebrparim, por ndoshta paralelisht do t\u00eb duhet vazhdimisht t\u00eb rishqyrtohet,\u00a0 se\u00a0 \u00e7far\u00eb me at\u00eb, p\u00ebr \u00e7far\u00eb na sh\u00ebrben ajo – apo \u00e7far\u00eb do t\u00eb thot\u00eb arritja e autonomis\u00eb t\u00eb plot\u00eb (t\u00eb tyre apo ton\u00eb?).\u201c<\/p>\n\n\n\n

N. Sh. N\u00eb opusin tuaj kulturor t\u00eb deritanish\u00ebm, shum\u00eb her\u00eb jeni drejtuar n\u00eb kritik\u00eb ndaj ekzistueses. N\u00ebse q\u00ebllimi i artit \u00ebsht\u00eb t\u00eb rishqyrtoj\u00eb, at\u00ebher\u00eb arti i angazhuar e arrin at\u00eb. N\u00ebse q\u00ebllimi \u00ebsht\u00eb q\u00eb t\u00eb ndodhin ndryshime, at\u00ebher\u00eb artisti duhet t\u00eb pyetet se \u00e7far\u00eb lloji. Si t\u00eb interpretohet q\u00ebllimi i artit midis k\u00ebtyre dy kufijve?<\/strong><\/p>\n\n\n\n

V. J. Nuk ekziston asnj\u00eb formul\u00eb me t\u00eb cil\u00ebn arti mund t\u00eb funksionoj\u00eb. Ka shum\u00eb faktor\u00eb q\u00eb p\u00ebrcaktojn\u00eb n\u00ebse praktika artistike e dikujt do t\u00eb krijoj\u00eb ndikim n\u00eb nj\u00eb moment caktuar ose shum\u00eb m\u00eb von\u00eb, do t\u00eb frym\u00ebzoj\u00eb disa person t\u00eb p\u00ebrkushtuar ose masat e gjera. Sigurisht, \u00ebsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme t\u00eb mbrohet hap\u00ebsira n\u00eb t\u00eb cil\u00ebn kritika \u00ebsht\u00eb e mundur, por prej koh\u00ebsh \u00ebsht\u00eb e qart\u00eb se kritika \u00ebsht\u00eb jofunksionale n\u00ebse nuk ke dy gj\u00ebra themelore, nj\u00eb platform\u00eb apo medium i cili do t\u00eb e p\u00ebrcjell\u00eb opservimin t\u00ebnd kritik dhe nj\u00eb recipient  me nd\u00ebrgjegj\u00ebsim t\u00eb zhvilluar kritik i cili \u00ebsht\u00eb n\u00eb gjendje ta kuptoj\u00eb at\u00eb. Historikisht, edhe propaganda m\u00eb e guximshme dhe m\u00eb krijuese antihegjemoniste vizuale e s\u00eb majt\u00ebs radikale, nga artist\u00eb si John Heartfield, nuk arriti t\u00eb e parandalonte ngritjen e nazizmit. Edhe aktivist\u00ebt m\u00eb t\u00eb p\u00ebrkushtuar sot luftojn\u00eb shum\u00eb p\u00ebr t\u00eb realizuar k\u00ebrkesat m\u00eb elementare, dhe p\u00ebr t\u00eb zbatuar politika p\u00ebr t\u00eb mbrojtur jet\u00ebn n\u00eb planet. Prandaj, gjith\u00e7ka varet nga hap\u00ebsira e p\u00ebrbashk\u00ebt, dhe n\u00ebse ka nj\u00eb platform\u00eb efektive q\u00eb do t\u00eb lejoj\u00eb q\u00eb ai komunikim t\u00eb ket\u00eb kuptim dhe t\u00eb krijoj\u00eb vler\u00eb. Po b\u00ebhet gjithnj\u00eb e m\u00eb e qart\u00eb se roli i artit, i cili n\u00eb kuptimin m\u00eb themelor \u00ebsht\u00eb nj\u00eb aft\u00ebsi e artikulimit multimedial, n\u00eb vend t\u00eb kritik\u00ebs, duhet t\u00eb gjej\u00eb m\u00ebnyra p\u00ebr t\u00eb nxitur pjes\u00ebmarrjen, duke zhvilluar modele p\u00ebr organizim, p\u00ebr mobilizimin e njer\u00ebzve n\u00eb drejtim t\u00eb realizimit baz\u00eb. t\u00eb drejta p\u00ebr nj\u00eb jet\u00eb dinjitoze p\u00ebr t\u00eb gjith\u00eb \u2013 t\u00eb krijohen komunitete q\u00eb nuk do t\u00eb presin p\u00ebrmendjen, por do t\u00eb veprojn\u00eb.<\/p>\n\n\n\n

N. Sh. Sundimtari nga Lesbos dhe kurimi kan\u00eb nj\u00eb synim t\u00eb p\u00ebrbashk\u00ebt \u2013 t\u00eb sigurojn\u00eb barazin\u00eb e t\u00eb pabarabart\u00ebve, nd\u00ebrsa e dyta p\u00ebr t\u00eb u mund\u00ebsuar artist\u00ebve margjinal\u00eb dhe atyre n\u00eb zhvillim t\u00eb prezantohen para publikut t\u00eb galeris\u00eb. Si i p\u00ebrballoni ato sfida t\u00eb agor\u00ebs t\u00eb ngusht\u00eb n\u00eb Shkup?<\/strong><\/p>\n\n\n\n

V. J. Puna kuratoriale, n\u00eb kuptimin m\u00eb t\u00eb p\u00ebrgjithsh\u00ebm, nd\u00ebrthur njohuri dhe aft\u00ebsi nga disa profesione t\u00eb nd\u00ebrlidhura dhe t\u00eb nd\u00ebrvarura, dhe n\u00eb nj\u00eb mas\u00eb t\u00eb caktuar, pjes\u00ebrisht, dep\u00ebrton edhe n\u00eb fush\u00ebn artistike, pasi i referohet paraqitjes dhe kontrollit t\u00eb receptimit t\u00eb veprave artistike, t\u00eb artefakteve n\u00eb nj\u00eb ekspozit\u00eb, ose i ndonj\u00eb akti a veprimi performues. Dhe p\u00ebrmes praktik\u00ebs kuratoriale, p\u00ebrcaktohet pozicioni ideologjik i nj\u00eb kuratori specifik dhe pozicionimi rreth \u00e7\u00ebshtjeve ky\u00e7e q\u00eb lidhen me dijen, marr\u00ebdh\u00ebniet e pun\u00ebs dhe t\u00eb pushtetit. Por \u00e7do projekt \u00ebsht\u00eb i ndrysh\u00ebm me kufizime t\u00eb ndryshme, dhe n\u00eb mas\u00eb t\u00eb ndryshme ju jep mund\u00ebsin\u00eb t\u00eb shpreheni dhe t\u00eb projektoni at\u00eb n\u00eb t\u00eb cil\u00ebn besoni, t\u00eb p\u00ebrvet\u00ebsoni njohuri t\u00eb reja dhe sigurisht q\u00eb pranimi i asaj q\u00eb prezantohet varet nga aft\u00ebsia p\u00ebr t’u marr\u00eb me duke pasur parasysh rrethanat, por sigurisht edhe nga publiku. N\u00eb \u00e7do projekt ka nj\u00eb interes t\u00eb ndrysh\u00ebm personal dhe nj\u00eb nivel t\u00eb ndrysh\u00ebm entuziazmi, dhe kjo varet m\u00eb s\u00eb shumti nga tema, m\u00ebnyra e pun\u00ebs dhe, natyrisht, nga bashk\u00ebpun\u00ebtor\u00ebt dhe ekipi q\u00eb merr pjes\u00eb n\u00eb zbatim. Ka gj\u00ebra q\u00eb ju i nisni n\u00eb m\u00ebnyr\u00eb t\u00eb pavarur, p\u00ebrcaktoni ritmin e pun\u00ebs dhe kontributin personal, por n\u00eb fund gjithsesi i b\u00ebni p\u00ebr t\u00eb tjer\u00ebt. Mund t\u00eb them se puna me miqt\u00eb e mi n\u00eb kuad\u00ebr t\u00eb nism\u00ebs artistike \u201cBashk\u00ebpunimi\u201d n\u00eb periudh\u00ebn 2012-2015 ishte nj\u00eb nga p\u00ebrvojat m\u00eb t\u00eb vlefshme t\u00eb pyetjes intensive kolektive t\u00eb realitetit problematik, p\u00ebrmes formave t\u00eb ndryshme q\u00eb sfidojn\u00eb hierarkit\u00eb, r\u00ebnd\u00ebsin\u00eb e veprimit t\u00eb p\u00ebrbashk\u00ebt. dhe mbrojtja e ides\u00eb s\u00eb hap\u00ebsir\u00ebs publike.<\/p>\n\n\n\n

N. Sh. Arrijm\u00eb te inteligjenca artificiale, proces problemesh shoq\u00ebrore q\u00eb sapo kan\u00eb filluar. Plagjiatura do t\u00eb zbulohet, por si do t\u00eb ndikoj\u00eb kjo n\u00eb procesin krijues, i cili pashmangsh\u00ebm do t\u00eb p\u00ebrballet me sfid\u00ebn e \u201cdrejtimit\u201d drejt zgjidhjeve t\u00eb caktuara, pavar\u00ebsisht se cila \u00ebsht\u00eb baza e tyre. Po p\u00ebr k\u00ebt\u00eb?<\/strong><\/p>\n\n\n\n

V. J. Natyrisht, risit\u00eb m\u00eb t\u00eb m\u00ebdha teknologjike, inovacionet, shkaktojn\u00eb nj\u00eb far\u00eb p\u00ebr\u00e7arje t\u00eb marr\u00ebdh\u00ebnieve ekzistuese. Duhet t\u00eb shikojm\u00eb m\u00eb holl\u00ebsisht se cilat marr\u00ebdh\u00ebnie dhe n\u00eb \u00e7far\u00eb m\u00ebnyre po ndryshojn\u00eb, n\u00eb dobi t\u00eb kujt, dhe n\u00eb d\u00ebm t\u00eb kujt, pra, duhet t’i shikojm\u00eb pal\u00ebt e interesuara n\u00eb debat nga disa aspekte.<\/p>\n\n\n\n

Ndoshta \u00ebsht\u00eb e nevojshme t\u00eb gjendet nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb \u00e7rr\u00ebnjosur nevoj\u00ebn p\u00ebr plagjiatur\u00eb, pra kuptimin e fitimit formal t\u00eb titujve dhe statusit, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb shmanget barra e krijimit t\u00eb sistemeve t\u00eb reja t\u00eb kontrollit dhe zbulimit, q\u00eb do t\u00eb n\u00ebnkuptonte p\u00ebrjet\u00ebsimin e panevojsh\u00ebm t\u00eb problemit, dhe jo zgjidhja e tij. Se cilat do t\u00eb jen\u00eb pasojat e inteligjenc\u00ebs artificiale n\u00eb sfer\u00ebn akademike, do ta shohim, por sigurisht tashm\u00eb e kemi problem faktin q\u00eb dikush q\u00eb pretendon t\u00eb jet\u00eb autor n\u00eb nj\u00eb fush\u00eb t\u00eb caktuar apo njoh\u00ebs, \u00ebsht\u00eb i gatsh\u00ebm t\u00eb heq\u00eb dor\u00eb nga bukuria e procesit t\u00eb gjurmimit. Pse? P\u00ebr t’i v\u00ebrtetuar dikujt se jan\u00eb interesant\u00eb, t\u00eb men\u00e7ur!?<\/p>\n\n\n\n

Nj\u00eb nga gj\u00ebrat e r\u00ebnd\u00ebsishme p\u00ebr t\u00eb cilat duhet menduar \u00ebsht\u00eb se si mund t\u00eb (keq)p\u00ebrdoret vepra e m\u00ebparshme artistike dhe nga kush. Me zhvillimin e gjenerator\u00ebve t\u00eb ndrysh\u00ebm t\u00eb materialit pamor, reagojn\u00eb artist\u00eb t\u00eb cil\u00ebt njohin veprat e tyre n\u00eb fotografit\u00eb e gjeneruara. Kjo tregon se algoritmet l\u00ebvizin brenda hap\u00ebsir\u00ebs s\u00eb zbuluar deri tani dhe se ata k\u00ebrkojn\u00eb hap\u00ebsira t\u00eb ngushta p\u00ebr t\u00eb gjeneruar versione t\u00eb reja t\u00eb t\u00eb nj\u00ebjt\u00ebs ose shum\u00eb t\u00eb ngjashme. Nuk kam hasur (deri tani) nj\u00eb rezultat q\u00eb t\u00eb jet\u00eb befasues dhe jasht\u00eb kornizave t\u00eb t\u00eb njohur\u00ebs.<\/p>\n\n\n\n

Ne jemi  d\u00ebshmitar\u00eb t\u00eb gati dy dekadave, t\u00eb shfryt\u00ebzimit t\u00eb pazbuluar p\u00ebrmes rrjeteve sociale, n\u00eb m\u00ebnyr\u00eb t\u00eb ngjashme p\u00ebrmes nj\u00eb forme arg\u00ebtimi dhe loje, shum\u00eb njer\u00ebz aktualisht po kontribuojn\u00eb n\u00eb rritjen eksponenciale t\u00eb bazave t\u00eb t\u00eb dh\u00ebnave, dhe gam\u00ebn totale t\u00eb informatik\u00ebs. Dhe kjo nuk do t\u00eb ishte aspak problem n\u00ebse kompanit\u00eb nuk do t\u00eb p\u00ebrvet\u00ebsonin t\u00eb gjith\u00eb pun\u00ebn dhe njohurit\u00eb p\u00ebr vete dhe nuk do ta kthenin n\u00eb fitim personal, i cili grumbullohet mes disa pronar\u00ebve.<\/p>\n\n\n\n

N. Sh. Dialogu q\u00eb \u00ebsht\u00eb zhvilluar deri m\u00eb tani \u00ebsht\u00eb zhvilluar ekskluzivisht mes njer\u00ebzve. Tani filloi dialogu mes njeriut dhe di\u00e7kaje tjet\u00ebr. Pavar\u00ebsisht se p\u00ebr momentin inteligjenca artificiale nuk ka vet\u00ebdije, arti tashm\u00eb ka treguar se nj\u00eb dit\u00eb mund t\u00eb ndodh\u00eb. Por cilat jan\u00eb pik\u00ebpamjet tuaja p\u00ebr t\u00eb ardhmen e p\u00ebrfaq\u00ebsimit artistik t\u00eb k\u00ebtij realiteti t\u00eb mundsh\u00ebm?<\/strong><\/p>\n\n\n\n

V. J. P\u00ebr sa i p\u00ebrket dialogut, komunikimit dhe mir\u00ebkuptimit, v\u00ebrtet mund t\u00eb b\u00ebjm\u00eb pyetje t\u00eb shumta p\u00ebr shkall\u00ebn e suksesit t\u00eb tyre, pra n\u00ebse ka kuptim. Hapja e nj\u00eb hap\u00ebsire t\u00eb re komunikimi duhet shfryt\u00ebzuar n\u00eb m\u00ebnyr\u00ebn m\u00eb t\u00eb mir\u00eb t\u00eb mundshme, p\u00ebr t\u00eb arritur q\u00ebllimin e p\u00ebrmbushjes s\u00eb nj\u00eb prej parametrave p\u00ebr p\u00ebrmir\u00ebsimin e kushteve t\u00eb jetes\u00ebs.<\/p>\n\n\n\n

V\u00ebrtet\u00eb, ka shum\u00eb projeksione t\u00eb ndryshme n\u00eb media t\u00eb ndryshme t\u00eb artit se si do t\u00eb ishte ai komunikim, dhe \u00e7far\u00eb sfidash do t\u00eb paraqiste. \u00cbsht\u00eb gjithashtu interesant fakti q\u00eb makinat tanim\u00eb komunikojn\u00eb me nj\u00ebra-tjetr\u00ebn p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, p\u00ebr t\u00eb arritur disa detyra dhe q\u00ebllime t\u00eb paracaktuara. Disa artist\u00eb si Harun Faroki kan\u00eb qen\u00eb t\u00eb interesuar p\u00ebr k\u00ebto marr\u00ebdh\u00ebnie dhe vizualizimi i tyre p\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb, dhe s\u00eb fundmi mund t\u00eb shohim disa nga analizat m\u00eb interesante n\u00eb veprat dhe tekstet teorike t\u00eb Hito Steuerl dhe Trevor Paglen, p\u00ebr shembull, por sigurisht edhe shum\u00eb t\u00eb tjer\u00eb.<\/p>\n\n\n\n

Ndoshta edhe n\u00eb nj\u00eb t\u00eb ardhme, kur di\u00e7ka nga kjo q\u00eb ofrohet tani do t\u00eb realizohet, artist\u00ebt dhe t\u00eb gjith\u00eb njer\u00ebzit krijues, duke analizuar t\u00eb tashmen e tyre, do t\u00eb p\u00ebrpiqen t\u00eb shikojn\u00eb p\u00ebrtej horizontit. Por, di\u00e7ka p\u00ebr t\u00eb cil\u00ebn duhet t\u00eb jemi shum\u00eb t\u00eb kujdessh\u00ebm, \u00ebsht\u00eb q\u00eb t\u00eb mos ngecim n\u00eb t\u00eb tashmen e p\u00ebrjetshme t\u00eb vet\u00ebdijes posthistorike, duke u rrotulluar e rrotull, nj\u00eb gjendje n\u00eb t\u00eb cil\u00ebn asnj\u00eb ndryshim nuk do t\u00eb jet\u00eb as i mundur.<\/p>\n\n\n\n

kjo N. Sh. Ka dy ekstreme, nj\u00ebra \u00ebsht\u00eb t\u00eb kesh vazhdimisht nj\u00eb q\u00ebndrim (p\u00ebr di\u00e7ka), dhe tjetra \u00ebsht\u00eb t\u00eb mos kesh fare q\u00ebndrim. E para i atribuohet artit t\u00eb angazhuar, e dyta inteligjenc\u00ebs artificiale. Sipas jush, si do t\u00eb sintetizohet kjo p\u00ebrvoj\u00eb?<\/strong><\/p>\n\n\n\n

V. J. N\u00eb kryq\u00ebzimin nd\u00ebrmjet k\u00ebtyre dy pozicioneve, q\u00ebndron \u00e7\u00ebshtja e subjektit dhe vullnetit autonom. Fatkeq\u00ebsisht, disa njer\u00ebz nuk jan\u00eb t\u00eb pamund\u00ebsuar t\u00eb e shprehin vullnetin autonom, nd\u00ebrsa t\u00eb tjer\u00eb munden, por refuzojn\u00eb ta b\u00ebjn\u00eb k\u00ebt\u00eb. Disa mund t\u00eb imagjinojn\u00eb nj\u00eb bot\u00eb t\u00eb re, m\u00eb t\u00eb mir\u00eb se kjo, jo vet\u00ebm p\u00ebr veten e tyre, por edhe p\u00ebr shumic\u00ebn d\u00ebrrmuese. T\u00eb tjer\u00ebt nuk kan\u00eb nevoj\u00eb p\u00ebr ndryshim, sepse pozicioni i tyre i privilegjuar u lejon atyre rehati dhe siguri n\u00eb bot\u00ebn ekzistuese, si\u00e7 \u00ebsht\u00eb – p\u00ebr ta, \u00e7do ndryshim n\u00ebnkupton mund\u00ebsin\u00eb e humbjes s\u00eb komoditeteve t\u00eb trash\u00ebguara. Arti \u00ebsht\u00eb nj\u00eb fush\u00eb shum\u00eb delikate, edhe megjithat\u00eb ende \u00ebsht\u00eb nj\u00eb fush\u00eb e jasht\u00ebzakonshme dhe specifike e krijimit njer\u00ebzor. Ka p\u00ebrpjekje t\u00eb panum\u00ebrta p\u00ebr ta p\u00ebrcaktuar at\u00eb, por p\u00ebr shkak t\u00eb ndryshimit t\u00eb kontekstit \u00ebsht\u00eb pothuajse e pamundur t\u00eb b\u00ebhet nj\u00eb gj\u00eb e till\u00eb. Ai \u00ebsht\u00eb, mund t\u00eb jet\u00eb ose duhet t\u00eb jet\u00eb nj\u00eb lakmus i gjendjeve dhe fush\u00eb p\u00ebr eksperimentim, rikombinim dhe v\u00ebnie n\u00eb dyshim opsionet dhe zgjerimi i fush\u00ebs s\u00eb mund\u00ebsive (e mundshme), por edhe di\u00e7ka q\u00eb \u00ebsht\u00eb thell\u00ebsisht e rr\u00ebnjosur, dhe e varur nga teknologjit\u00eb dhe parametrat ekzistues me t\u00eb cilat operojn\u00eb, si dhe kufizimet q\u00eb ato vendosin. Por, disi mendoj se pik\u00ebrisht nj\u00eb hap\u00ebsir\u00eb \u200b\u200be pacaktuar e ekcesit, e t\u00eb papritur\u00ebs, e p\u00ebrcakton ve\u00e7antin\u00eb, t\u00ebrheqjen dhe fuqin\u00eb e artit, jo t\u00eb asaj q\u00eb \u00ebsht\u00eb e standardizuar, por nj\u00eb anomali, apo nj\u00eb paradoks.<\/p>\n\n\n\n

N. Sh. N\u00ebse pranojm\u00eb hipotez\u00ebn se arti \u00ebsht\u00eb nj\u00eb kritik\u00eb e asaj q\u00eb \u00ebsht\u00eb, at\u00ebher\u00eb si ta fusim argumentin ideologjik n\u00eb diskursin e artit (kultur\u00ebs)?<\/strong><\/p>\n\n\n\n

V. J. Arti i vjet\u00ebr, apo krijimet artistike para epok\u00ebs s\u00eb konceptit modern t\u00eb artit, me sa dim\u00eb, ishin kryesisht n\u00eb sh\u00ebrbim t\u00eb pushtetit, nj\u00eb dokument p\u00ebr, dhe n\u00eb drejtim t\u00eb ruajtjes dhe forcimit t\u00eb hierarkive, p\u00ebr t\u00eb frik\u00ebsuar dhe penguar \u00e7do p\u00ebrpjekje p\u00ebr t\u00eb ndryshuar rendin ekzistues, pik\u00ebrisht p\u00ebrmes veprave t\u00eb arkitektur\u00ebs, piktur\u00ebs dhe skulptur\u00ebs dhe p\u00ebrsosjes teknike t\u00eb tyre.<\/p>\n\n\n\n

N\u00eb epok\u00ebn moderne, kjo po ndryshon, paralelisht me shembjen e rendit t\u00eb vjet\u00ebr, futen parametra dhe kritere t\u00eb tjera, p\u00ebr t\u00eb p\u00ebrcaktuar se \u00e7far\u00eb \u00ebsht\u00eb art dhe \u00e7far\u00eb jo. P\u00ebrsosja teknike dhe bukuria nuk jan\u00eb m\u00eb fokusi kryesor, por eksplorohen kategori dhe qasje t\u00eb tjera estetike, dhe k\u00ebshtu zgjerimi i fush\u00ebs b\u00ebhet shum\u00eb m\u00eb dinamik dhe i paparashikuesh\u00ebm. Dhe n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, nj\u00eb pjes\u00eb e madhe e “rezultatit” artistik \u00ebsht\u00eb n\u00eb fakt vet\u00eb procesi i jet\u00ebs, dhe nj\u00eb reflektim i vazhduesh\u00ebm mbi t\u00eb mbijetuar\u00ebn, mbi at\u00eb q\u00eb ndryshon n\u00eb rrjedh\u00eb, me \u00e7do kontakt, mendim, nd\u00ebrveprim me njer\u00ebzit dhe sendet e tjera. Kjo ndoshta do t\u00eb jet\u00eb sfida m\u00eb e madhe p\u00ebr inteligjenc\u00ebn artificiale, jo vet\u00ebm kalimi nga nj\u00eb pik\u00eb n\u00eb tjetr\u00ebn p\u00ebr koh\u00eb rekord, por duke p\u00ebrfshir\u00eb at\u00eb faktor t\u00eb rast\u00ebsis\u00eb dhe kontigjentit. N\u00eb art, trajnimi dhe qasja e skematizuar nuk luajn\u00eb m\u00eb nj\u00eb rol t\u00eb till\u00eb. Prandaj, ideja e nj\u00eb p\u00ebrsosm\u00ebrie t\u00eb supozuar p\u00ebrsa i p\u00ebrket performanc\u00ebs teknike, do t\u00eb dukej v\u00ebrtet jo mbres\u00ebl\u00ebn\u00ebse, e m\u00ebrzitshme, e vdekur – dhe sigurisht do t\u00eb hynte n\u00eb p\u00ebrkufizimin e kitsch-it, si nj\u00eb kopje e keqe, nj\u00eb imitim. Por si mjet me t\u00eb cilin njeriu do t\u00eb eksploroj\u00eb fusha t\u00eb reja, do t\u00eb e drejtoj\u00eb dhe p\u00ebrmir\u00ebsoj\u00eb, mbetet t\u00eb shohim se \u00e7far\u00eb do t\u00eb ndodh\u00eb.<\/p>\n\n\n\n

Arti bashk\u00ebkohor \u00ebsht\u00eb ende kryesisht n\u00eb paradigm\u00ebn moderne, ose m\u00eb sakt\u00eb n\u00eb avangard\u00ebn historike, por me nj\u00eb theks t\u00eb ve\u00e7ant\u00eb n\u00eb problemet kryesore ekzistenciale. Shpikjet dhe mund\u00ebsit\u00eb e reja teknologjike, ve\u00e7an\u00ebrisht zhvillimi i inteligjenc\u00ebs artificiale, do t\u00eb fshijn\u00eb shum\u00eb kufij dhe dallime n\u00eb lidhje me inteligjenc\u00ebn dhe aft\u00ebsit\u00eb si di\u00e7ka q\u00eb \u00ebsht\u00eb private. Arritja e barazis\u00eb p\u00ebr sa i p\u00ebrket disponueshm\u00ebris\u00eb s\u00eb njohurive nuk \u00ebsht\u00eb problem, por \u00ebsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme se n\u00eb cilin drejtim do t\u00eb zhvillohet, n\u00ebse do t\u00eb kontribuoj\u00eb n\u00eb nj\u00eb rishp\u00ebrndarje m\u00eb t\u00eb barabart\u00eb t\u00eb mallrave dhe burimeve, apo do t\u00eb jet\u00eb nj\u00eb rrug\u00eb e shpejt\u00eb p\u00ebr nj\u00eb distopi teknologjikisht t\u00eb determinuar dhe t\u00eb sofistikuar.<\/p>\n\n\n\n

M\u00eb posht\u00eb mund t\u00eb shihni disa nga ekspozitat e kuruara nga Vladimir Jan\u00e7evski.<\/strong><\/p>\n\n\n\n

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\"\u201e\u041f\u0440\u043a\u043e\u0441\u043d\u0438
\u201e\u041f\u0440\u043a\u043e\u0441\u043d\u0438 \u0441\u043b\u0438\u043a\u0438: \u040f\u043e\u043d \u0425\u0430\u0440\u0442\u0444\u0438\u043b\u0434 \u0438 \u0441\u0430\u0442\u0438\u0440\u0438\u0447\u043d\u0430\u0442\u0430 \u0444\u043e\u0442\u043e\u043c\u043e\u043d\u0442\u0430\u0436\u0430 \/ 1921-1945\u201c – \u0438\u0441\u0442\u0440\u0430\u0436\u0443\u0432\u0430\u0447\u043a\u0438 \u043f\u0440\u043e\u0435\u043a\u0442 \u0438 \u0438\u0437\u043b\u043e\u0436\u0431\u0430 \u043d\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438, 16-27 \u0441\u0435\u043f\u0442\u0435\u043c\u0432\u0440\u0438 2021, \u041c\u0421\u0423-\u0421\u043a\u043e\u043f\u0458\u0435 \n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u041f\u0435\u0442\u0430\u0440
\u201e\u041f\u0435\u0442\u0430\u0440 \u0425\u0430\u045f\u0438 \u0411\u043e\u0448\u043a\u043e\u0432: \u041e\u0442\u043a\u0440\u0438\u0432\u0430\u045a\u0435 \u043d\u0430 \u0438\u0434\u043d\u0438\u043d\u0430\u0442\u0430 \/ \u0410\u0440\u0445\u0435\u043e\u043b\u043e\u0433\u0438\u0458\u0430 \u043d\u0430 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0441\u0442\u0430 \u2013 \u0440\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u0430 \u0438\u0437\u043b\u043e\u0436\u0431\u0430, 18 \u0441\u0435\u043f\u0442\u0435\u043c\u0432\u0440\u0438 \u2013 21 \u043e\u043a\u0442\u043e\u043c\u0432\u0440\u0438 2021, \u0430\u0440\u0445\u0435\u043e\u043b\u043e\u0448\u043a\u0438 \u043b\u043e\u043a\u0430\u043b\u0438\u0442\u0435\u0442 \u0421\u0442\u043e\u0431\u0438 \n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0414\u0435\u043d\u0438\u0441 \u0421\u0430\u0440\u0430\u0433\u0438\u043d\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u041f\u043e\u043c\u0435\u0453\u0443\u201c,
\u201e\u041f\u043e\u043c\u0435\u0453\u0443\u201c, 2016 – \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u0435\u043d \u043f\u0440\u043e\u0435\u043a\u0442 \u043d\u0430 \u0418\u0433\u043e\u0440 \u0422\u043e\u0448\u0435\u0432\u0441\u043a\u0438, \n5-29 \u0441\u0435\u043f\u0442\u0435\u043c\u0432\u0440\u0438 2016, \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0430 \u0433\u0430\u043b\u0435\u0440\u0438\u0458\u0430 \u2013 \u0427\u0438\u0444\u0442\u0435 \u0410\u043c\u0430\u043c \n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0414\u0435\u043d\u0438\u0441 \u0421\u0430\u0440\u0430\u0433\u0438\u043d\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u0410\u043d\u043e\u043c\u0430\u043b\u0438\u0438:
\u201e\u0410\u043d\u043e\u043c\u0430\u043b\u0438\u0438: \u041d\u0435\u0434\u0438\u0441\u0446\u0438\u043f\u043b\u0438\u043d\u0430\u0440\u043d\u0438 (\u0435\u0441\u0442)\u0435\u0442\u0438\u0447\u043a\u0438 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438 \/ \u0413\u0440\u0430\u043d\u0438\u0446\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0458\u0430\u0442\u0430\u201c \u2013 \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u0435\u043d \u043f\u0440\u043e\u0435\u043a\u0442 \u043d\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438, 24 \u0458\u0443\u043d\u0438 \u2013 5 \u0458\u0443\u043b\u0438 2014, \u041a\u043e\u043e\u043f\u0435\u0440\u0430\u0446\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0414\u0435\u043d\u0438\u0441 \u0421\u0430\u0440\u0430\u0433\u0438\u043d\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u0410\u043d\u043e\u043c\u0430\u043b\u0438\u0438:
\u201e\u0410\u043d\u043e\u043c\u0430\u043b\u0438\u0438: \u041d\u0435\u0434\u0438\u0441\u0446\u0438\u043f\u043b\u0438\u043d\u0430\u0440\u043d\u0438 (\u0435\u0441\u0442)\u0435\u0442\u0438\u0447\u043a\u0438 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438 \/ \u0413\u0440\u0430\u043d\u0438\u0446\u0438 \u043d\u0430 \u0438\u043d\u0442\u0435\u0440\u043f\u0440\u0435\u0442\u0430\u0446\u0438\u0458\u0430\u0442\u0430\u201c \u2013 \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u0435\u043d \u043f\u0440\u043e\u0435\u043a\u0442 \u043d\u0430 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438, 24 \u0458\u0443\u043d\u0438 \u2013 5 \u0458\u0443\u043b\u0438 2014, \u041a\u043e\u043e\u043f\u0435\u0440\u0430\u0446\u0438\u0458\u0430, \u0421\u043a\u043e\u043f\u0458\u0435\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0414\u0435\u043d\u0438\u0441 \u0421\u0430\u0440\u0430\u0433\u0438\u043d\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u0414\u0435\u043c\u043e\u043a\u0440\u0430\u0442\u0438\u0438
\u201e\u0414\u0435\u043c\u043e\u043a\u0440\u0430\u0442\u0438\u0438 \/ \u0420\u0435\u0430\u043b\u0438\u0437\u0430\u043c\u201c \u2013 \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u0458\u043d\u0430 \u0438\u0437\u043b\u043e\u0436\u0431\u0430 \u043d\u0430 \u0410\u0440\u0442\u0443\u0440 \u0416\u043c\u0438\u0458\u0435\u0432\u0441\u043a\u0438\n1 \u0434\u0435\u043a\u0435\u043c\u0432\u0440\u0438 2021 \u2013 31 \u043c\u0430\u0440\u0442 2022, \u041c\u0421\u0423-\u0421\u043a\u043e\u043f\u0458\u0435\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u041c\u0430\u0458\u0430 \u0410\u0440\u0433\u0430\u043a\u0438\u0458\u0435\u0432\u0430\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u041b\u0430\u0435\u045a\u0435\u0442\u043e
\u201e\u041b\u0430\u0435\u045a\u0435\u0442\u043e \u043d\u0430 \u043e\u0431\u043b\u0430\u0446\u0438\u0442\u0435 \u043d\u0435 \u0433\u0438 \u043f\u043e\u0432\u0440\u0435\u0434\u0443\u0432\u0430 \u043a\u0443\u0447\u0438\u045a\u0430\u0442\u0430\u201c \u2013 \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u0458\u043d\u0430 \u0438\u0437\u043b\u043e\u0436\u0431\u0430 \u043d\u0430 \u0414\u0440\u0438\u0442\u043e\u043d \u0421\u0435\u043b\u043c\u0430\u043d\u0438, 4 \u043d\u043e\u0435\u043c\u0432\u0440\u0438 2022 \u2013 25 \u0444\u0435\u0432\u0440\u0443\u0430\u0440\u0438 2023, \u041c\u0421\u0423-\u0421\u043a\u043e\u043f\u0458\u0435\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u043e\u0434 \u043e\u0442\u0432\u043e\u0440\u0430\u045a\u0435\u0442\u043e: \u041c\u0430\u0458\u0430 \u0408\u0430\u043d\u0435\u0432\u0441\u043a\u0430-\u0418\u043b\u0438\u0435\u0432\u0430\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u041a\u0430\u043f\u0438\u0442\u0430\u043b\u201c,
\u201e\u041a\u0430\u043f\u0438\u0442\u0430\u043b\u201c, 2012 – \u043a\u043e\u043b\u0430\u0431\u043e\u0440\u0430\u0442\u0438\u0432\u0435\u043d \u043f\u0440\u043e\u0435\u043a\u0442\/\u0430\u043a\u0446\u0438\u0458\u0430 \u043d\u0430 \u041a\u043e\u043e\u043f\u0435\u0440\u0430\u0446\u0438\u0458\u0430 \n(\u0418\u0433\u043e\u0440 \u0422\u043e\u0448\u0435\u0432\u0441\u043a\u0438, \u0413\u0440\u0443\u043f\u0430 \u041e\u041f\u0410, \u0424\u0438\u043b\u0438\u043f \u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0441\u043a\u0438, \u0403\u043e\u0440\u0453\u0435 \u0408\u043e\u0432\u0430\u043d\u043e\u0432\u0438\u045c \u0438 \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0408\u0430\u043d\u0447\u0435\u0432\u0441\u043a\u0438), 6-8 \u0434\u0435\u043a\u0435\u043c\u0432\u0440\u0438 2012, \u043b\u043e\u043a\u0430\u043b \u043d\u0430 \u0411\u0443\u043b. \u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438 \u0431\u0440. 23, \u0421\u043a\u043e\u043f\u0458\u0435.\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0458\u0430: \u0414\u0435\u043d\u0438\u0441 \u0421\u0430\u0440\u0430\u0433\u0438\u043d\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n\n\n\n
\"\u201e\u041c\u043e\u043b\u0446\u0438\u201c
\u201e\u041c\u043e\u043b\u0446\u0438\u201c – \u043f\u0440\u043e\u0435\u043a\u0442 \u043d\u0430 \u0411\u043e\u0458\u0430\u043d \u0421\u0438\u043c\u043e\u0432\u0441\u043a\u0438, \u0458\u0443\u043d\u0438-\u0458\u0443\u043b\u0438 2006\n\u0410\u043a\u0446\u0438\u0458\u0430 \u043d\u0430 \u043f\u043e\u0432\u0435\u045c\u0435 \u043b\u043e\u043a\u0430\u0446\u0438\u0438 \u043d\u0438\u0437 \u0421\u043a\u043e\u043f\u0458\u0435\n\u0424\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438: \u0411\u043e\u0458\u0430\u043d \u0421\u0438\u043c\u043e\u0432\u0441\u043a\u0438\n<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Leximi: E. M<\/strong><\/p>\n\n\n\n

P\u00ebrktheu: E.\u00a0 M.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ndoshta nj\u00eb nga m\u00ebnyrat p\u00ebr t\u00eb verifikuar shkall\u00ebn e besueshm\u00ebris\u00eb \u00ebsht\u00eb t\u00eb k\u00ebrkohet p\u00ebrgjigje p\u00ebr pyetjen nga ChatGPT, dhe nj\u00eb foto portret t\u00eb ri \u00a0t\u00eb bashk\u00ebbiseduesit nga Midjourney ose DALL-E dhe t\u00eb krahasohen. Ballafaqimi i p\u00ebrditsh\u00ebm me artin bashk\u00ebkohor dhe analiza e vazhdueshme krahasuese e tij me artin e s\u00eb kaluar\u00ebs, hap pyetje t\u00eb shumta p\u00ebr rolin e tij, p\u00ebr funksionin e tij n\u00eb tablon\u00eb m\u00eb t\u00eb gjer\u00eb shoq\u00ebrore.<\/p>\n","protected":false},"author":2,"featured_media":11979,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"categories":[58],"tags":[128],"class_list":{"0":"post-12204","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-58","8":"tag-128"},"_links":{"self":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12204"}],"version-history":[{"count":2,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12204\/revisions"}],"predecessor-version":[{"id":12206,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/12204\/revisions\/12206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/media\/11979"}],"wp:attachment":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}