{"id":11742,"date":"2023-02-15T19:11:12","date_gmt":"2023-02-15T18:11:12","guid":{"rendered":"https:\/\/glasniidei.mk\/?p=11742"},"modified":"2023-02-16T00:28:33","modified_gmt":"2023-02-15T23:28:33","slug":"amra-ismani-per-punetorin-e-ri-krijues","status":"publish","type":"post","link":"https:\/\/glasniidei.mk\/?p=11742","title":{"rendered":"Amra Ismani p\u00ebr pun\u00ebtorin e ri krijues"},"content":{"rendered":"
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\u041f\u043e\u0440\u0442\u0440\u0435\u0442 \u043d\u0430 \u0410\u043c\u0440\u0430 \u0418\u0441\u043c\u0430\u043d\u0438 \u043e\u0434 \u041b\u0438\u0440\u0438\u043c \u0425\u043e\u045f\u0430<\/figcaption><\/figure>\n<\/div>\n\n\n
Versioni maqedonas \/ \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430 \u0432\u0435\u0440\u0437\u0438\u0458\u0430<\/a><\/pre>\n\n\n\n
Historia fillon me kat\u00ebrmb\u00ebdhjet\u00eb vje\u00e7aren Amra e cila zgjedh t\u00eb studioj\u00eb dizajnin e mod\u00ebs n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb mund t\u00eb arsimohet p\u00ebr karrier\u00ebn e saj t\u00eb ardhshme. P\u00ebrqendrimi n\u00eb zhvillimet kronologjike dhe stilistike n\u00eb mod\u00eb e ndihmon at\u00eb t\u00eb gjej\u00eb konceptet e saj n\u00eb dizajnimin e rrobave, por mungesa e njohurive praktike do t\u00eb thot\u00eb se ajo nuk mund t’i p\u00ebrkthej\u00eb kurr\u00eb modelet n\u00eb realitet. K\u00ebshtu q\u00eb ajo e zgjodh shkoll\u00ebn e saj t\u00eb radh\u00ebs, Institutin Nd\u00ebrkomb\u00ebtar ,,Izet Curi\u201d, nj\u00eb institut i fokusuar kryesisht n\u00eb teknikat tradicionale t\u00eb qepjes, ku zhvillon aft\u00ebsit\u00eb e saj t\u00eb shablonimit dhe qepjes. Ajo \u00ebsht\u00eb diplomuar n\u00eb Institutin e Historis\u00eb s\u00eb Artit n\u00eb Fakultetin Filozofik n\u00eb UKIM dhe e p\u00ebrdor k\u00ebt\u00eb fush\u00eb si burim t\u00eb vazhduesh\u00ebm frym\u00ebzimi. E shtyr\u00eb nga premisa se veshja i p\u00ebrgjigjet trupit, ajo fillon t\u00eb krijoj\u00eb veshje moderne, shum\u00eb funksionale t\u00eb paraqitura n\u00ebn etiket\u00ebn “ARMA”, e themeluar n\u00eb vitin 2016.<\/p>\n\n\n\n
Intervist\u00eb me Amra Ismanin<\/strong><\/p>\n\n\n\n
Nikola Shindre: \u201cAmra Ismani \u00ebsht\u00eb historiane e diplomuar e artit dhe punon si kuratore n\u00eb Galerin\u00eb Komb\u00ebtare. Publiku maqedonas, nga ana tjet\u00ebr, e njeh at\u00eb si dizenjatoren e mark\u00ebs “ARMA”, e njohur p\u00ebr materialet e m\u00ebndafshta q\u00eb p\u00ebrdor p\u00ebr t\u00eb punuar, veshjet komode dhe qasjen intelektuale ndaj mod\u00ebs.<\/strong><\/p>\n\n\n\n
Studimi i artit n\u00ebnkupton njohuri teorike, kujtes\u00eb historike n\u00eb lidhje me zhvillimin e artit dhe njohuri nga praktika – dometh\u00ebn\u00eb nga m\u00ebnyra se si arti mund t\u00eb zbatohet. Ju keni nj\u00eb p\u00ebrvoj\u00eb n\u00eb t\u00eb gjitha k\u00ebto aspekte. \u00c7far\u00eb \u00ebsht\u00eb ajo q\u00eb ju sfidon m\u00eb shum\u00eb t\u00eb merreni me art n\u00eb \u00e7far\u00ebdo m\u00ebnyre?\u201d<\/strong><\/p>\n\n\n\n
Amra Ismani: ,,Moda m\u00eb solli n\u00eb bot\u00ebn e artit. Her\u00eb n\u00eb rolin e Beatri\u00e7es, e her\u00eb n\u00eb rolin e Virgjilit, ajo m\u00eb udh\u00ebhiqte n\u00eb \u201cparajs\u00ebn\u201d dhe \u201cferrin\u201d e artit. Studimi i historis\u00eb s\u00eb artit n\u00eb fillim ishte thjesht nj\u00eb burim shum\u00eb i pasur frym\u00ebzimi q\u00eb m\u00eb sh\u00ebrbeu n\u00eb pjes\u00ebn konceptuale t\u00eb krijimit t\u00eb veshjeve, por  ajo shum\u00eb shpejt u b\u00eb nj\u00eb nga interesat e mia kryesore p\u00ebrve\u00e7 mod\u00ebs.<\/p>\n\n\n\n
Ndryshe nga moda, ku elementi m\u00eb i r\u00ebnd\u00ebsish\u00ebm \u00ebsht\u00eb rezultati p\u00ebrfundimtar, d.m.th. pjesa e veshjes q\u00eb krijohet, teoria e artit m\u00eb sfidon p\u00ebr faktin se zbulon “sekretet” q\u00eb fshihen n\u00ebn sip\u00ebrfaqen e vepr\u00ebs artistike, nga kuptimi simbolik i formave, figurave dhe elementeve t\u00eb p\u00ebrfaq\u00ebsuara, p\u00ebr kushtet politike dhe sociale n\u00eb t\u00eb cilat u krijua vepra deri n\u00eb gjendjen psikologjike dhe emocionale t\u00eb artistit q\u00eb e krijoi t\u00eb nj\u00ebjt\u00ebn gj\u00eb. Nga ana tjet\u00ebr, n\u00eb pjes\u00ebn praktike t\u00eb historis\u00eb s\u00eb artit, ashtu si n\u00eb mod\u00eb, kuratori p\u00ebrfaq\u00ebson nj\u00eb nd\u00ebrmjet\u00ebs, puna e t\u00eb cilit \u00ebsht\u00eb nj\u00eb ur\u00eb q\u00eb lidh audienc\u00ebn dhe artistin.<\/p>\n\n\n\n
\u00cbsht\u00eb e v\u00ebrtet\u00eb q\u00eb moda nuk \u00ebsht\u00eb art, ajo p\u00ebrfaq\u00ebson nj\u00eb mozaik kompleks t\u00eb p\u00ebrb\u00ebr\u00eb nga shum\u00eb kube, n\u00eb qend\u00ebr t\u00eb  cilit gjendet arti, pa t\u00eb cilin nuk mund t\u00eb ekzistoj\u00eb. Ajo pjes\u00eb e vog\u00ebl e artit n\u00eb qend\u00ebr t\u00eb mozaikut t\u00eb mod\u00ebs ishte mjaft e mjaftueshme p\u00ebr t\u00eb m\u00eb inkurajuar t\u00eb eksploroja at\u00eb lidhje q\u00eb lidh k\u00ebto dy bot\u00eb, bot\u00ebn aktive t\u00eb krijimit t\u00eb mod\u00ebs dhe bot\u00ebn sodit\u00ebse q\u00eb zbulon sekretet e fshehura n\u00ebn sip\u00ebrfaqe.”<\/p>\n\n\n\n
N. Sh. Veshja \u00ebsht\u00eb nj\u00eb pjes\u00eb e r\u00ebnd\u00ebsishme e jet\u00ebs s\u00eb p\u00ebrditshme t\u00eb nj\u00eb personi. Pavar\u00ebsisht se kush mundet dhe sa d\u00ebshiron, t\u00eb gjith\u00eb shprehen n\u00eb nj\u00eb far\u00eb m\u00ebnyre p\u00ebrmes veshjeve. Dizajner\u00ebt shprehen p\u00ebrmes mjesht\u00ebris\u00eb. \u00c7far\u00eb mendoni se \u00ebsht\u00eb e r\u00ebnd\u00ebsishme q\u00eb nj\u00eb veshje t\u00eb quhet e bukur?<\/strong><\/p>\n\n\n\n
A. I. It is only shallow people who do not judge by appearances<\/em> \/ Dhe Vet\u00ebm njer\u00ebzit e cek\u00ebt nuk gjykojn\u00eb nga pamja, thot\u00eb Oscar Wilde. Nuk jam plot\u00ebsisht dakord, por fakti \u00ebsht\u00eb se veshjet jan\u00eb nj\u00eb lloj gjuhe joverbale p\u00ebrmes s\u00eb cil\u00ebs, me vet\u00ebdije apo pa vet\u00ebdije, shprehemi dhe komunikojm\u00eb me t\u00eb tjer\u00ebt rreth nesh. Dizajner\u00ebt, nj\u00eblloj si artist\u00ebt, shprehin pik\u00ebpamjet e tyre personale duke krijuar nj\u00eb vep\u00ebr p\u00ebrmes s\u00eb cil\u00ebs i p\u00ebrcjellin audienc\u00ebs nj\u00eb mesazh t\u00eb caktuar, i cili \u00ebsht\u00eb rezultat i k\u00ebrkimit t\u00eb tyre t\u00eb pafund p\u00ebr t\u00eb bukur\u00ebn.<\/p>\n\n\n\n
Mendoj se e bukura \u00ebsht\u00eb nj\u00eb shije subjektive, por n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb mendoj se jan\u00eb disa elemente objektive q\u00eb jan\u00eb karakteristike p\u00ebr nj\u00eb veshje ,,t\u00eb bukur\u201d, t\u00eb cilat i referohen mbi t\u00eb gjitha performanc\u00ebs teknike t\u00eb saj. Duke ditur q\u00eb shija \u00ebsht\u00eb subjektive, do t\u00eb l\u00eb m\u00ebnjan\u00eb elementin estetik t\u00eb veshjes (p\u00ebr momentin) dhe do t\u00eb them q\u00eb nj\u00eb veshje e bukur duhet t\u00eb jet\u00eb e nd\u00ebrtuar n\u00eb m\u00ebnyr\u00eb perfekte, e punuar me material cil\u00ebsor, e qepur sakt\u00ebsisht dhe sigurisht, (edhe pse kjo pik\u00eb nuk lidhet drejtp\u00ebrdrejt me pamjen, pjes\u00eb e dukshme e veshjes) ajo duhet t\u00eb krijohet n\u00eb kushte t\u00eb drejta dhe etike.<\/p>\n\n\n\n
N. Sh. Nj\u00eb aspekt tjet\u00ebr i veshjeve sot \u00ebsht\u00eb konsumizmi. Blerja e vazhdueshme e rrobave t\u00eb reja dhe me cil\u00ebsi t\u00eb ul\u00ebt krijon deponi tep\u00ebr t\u00eb m\u00ebdha n\u00eb t\u00eb gjith\u00eb bot\u00ebn. Si t\u00eb zgjidhni veshjen m\u00eb t\u00eb bukur n\u00eb m\u00ebnyr\u00eb q\u00eb nj\u00eb mashkull ta mbaj\u00eb m\u00eb gjat\u00eb dhe t\u00eb duket m\u00eb mir\u00eb?<\/strong><\/p>\n\n\n\n
A. I. Blerja e tep\u00ebrt e rrobave \u00ebsht\u00eb rezultat i tendencave “t\u00eb shpejta” sezonale q\u00eb “detyrojn\u00eb” konsumator\u00ebt t\u00eb blejn\u00eb veshje t\u00eb reja \u00e7do muaj, t\u00eb cilat pas nj\u00eb periudhe t\u00eb shkurt\u00ebr ose do t\u00eb shkat\u00ebrrohen (p\u00ebr shkak t\u00eb cil\u00ebsis\u00eb s\u00eb dob\u00ebt) ose do t\u00eb duhet t\u00eb z\u00ebvend\u00ebsohen me nj\u00eb veshje t\u00eb re, nga trendi i ri. N\u00eb fakt, k\u00ebto tendenca t\u00eb p\u00ebrkohshme t\u00eb mod\u00ebs jan\u00eb pjesa m\u00eb e rrezikshme e mod\u00ebs s\u00eb shpejt\u00eb, e cila ndikon negativisht, jo vet\u00ebm n\u00eb mjedisin ton\u00eb jet\u00ebsor, por edhe tek njer\u00ebzit, ve\u00e7an\u00ebrisht ata q\u00eb jan\u00eb t\u00eb p\u00ebrfshir\u00eb n\u00eb procesin e prodhimit t\u00eb k\u00ebtyre pjes\u00ebve t\u00eb veshjeve.<\/p>\n\n\n\n
Pik\u00ebrisht p\u00ebr k\u00ebto arsye lind slow-fashion<\/em> moda e ngadalt\u00eb, ose moda e q\u00ebndrueshme, q\u00ebllimi i s\u00eb cil\u00ebs \u00ebsht\u00eb krijimi i veshjeve t\u00eb p\u00ebrjetshme q\u00eb ekzistojn\u00eb jasht\u00eb tendencave aktuale dhe t\u00eb krijuara nga materiale natyrore q\u00eb nuk jan\u00eb t\u00eb d\u00ebmshme p\u00ebr mjedisin. P\u00ebr t\u00eb reduktuar efektin shkat\u00ebrrues t\u00eb mod\u00ebs, dizajner\u00ebt jan\u00eb t\u00eb detyruar t\u00eb krijojn\u00eb mod\u00eb t\u00eb q\u00ebndrueshme, nd\u00ebrsa nga ana tjet\u00ebr, konsumator\u00ebt<\/strong> duhet t\u00eb d\u00ebgjojn\u00eb k\u00ebshill\u00ebn e Westwood: Buy less, choose well, make it last \/<\/em> Blini m\u00eb pak, zgjidhni mir\u00eb, b\u00ebjeni t\u00eb q\u00ebndrueshme.<\/p>\n\n\n\n
Krahas elementeve q\u00eb p\u00ebrmenda n\u00eb p\u00ebrgjigjen e m\u00ebparshme, si karakteristika e nj\u00eb cope veshjeje t\u00eb bukur, (duke trajtuar vet\u00ebm rrobat n\u00eb form\u00eb t\u00eb izoluar) mendoj se bukuria e veshjes n\u00eb jet\u00ebn reale q\u00ebndron edhe n\u00eb marr\u00ebdh\u00ebnien e saj me bart\u00ebsin<\/strong>, d.m.th. me personin q\u00eb e vesh at\u00eb. Nga kjo mund t\u00eb merret edhe p\u00ebrgjigja e pyetjes se si t\u00eb zgjidhni veshjen m\u00eb t\u00eb bukur. Mendoj se rrobat nuk jan\u00eb vet\u00ebm element dekorativ, prandaj, p\u00ebr mendimin tim, veshja m\u00eb e bukur \u00ebsht\u00eb ajo q\u00eb p\u00ebrfaq\u00ebson mendimet dhe q\u00ebndrimet e personit q\u00eb e vesh, pra rrobat q\u00eb i p\u00ebrshtaten karakterit t\u00eb tij dhe stilit t\u00eb tij t\u00eb jet\u00ebs<\/p>\n\n\n\n
N. Sh. Veshjet popullore nga Ballkani pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore u hodh\u00ebn shpejt jasht\u00eb p\u00ebrdorimit t\u00eb p\u00ebrditsh\u00ebm dhe sot ato mund t\u00eb shihen si ekspozita, dhe shum\u00eb rrall\u00eb si veshje q\u00eb vesh dikush. Si ndikoi ky pushim n\u00eb m\u00ebnyr\u00ebn e t\u00eb veshurit?<\/strong><\/p>\n\n\n\n
A. I. Si\u00e7 e dim\u00eb, ndryshimet politike dhe shoq\u00ebrore jan\u00eb pasqyruar dhe ndikuar qart\u00eb n\u00eb artin dhe mod\u00ebn e nj\u00eb periudhe t\u00eb caktuar. Prandaj, ndryshimet n\u00eb bot\u00ebn e mod\u00ebs jan\u00eb shpesh nj\u00eb reagim ndaj ndryshimeve t\u00eb caktuara shoq\u00ebrore n\u00eb nj\u00eb vend dhe koh\u00eb t\u00eb caktuar. Periudha e Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore ndryshoi rolet e grave n\u00eb shoq\u00ebri, gj\u00eb q\u00eb \u00e7oi n\u00eb nevoj\u00ebn p\u00ebr nj\u00eb lloj tjet\u00ebr mode. Kur burrat u larguan p\u00ebr t\u00eb luftuar n\u00eb front, grat\u00eb mor\u00ebn pun\u00ebt e tyre n\u00eb fabrika, zyra dhe ferma. Prandaj edhe veshja e femrave n\u00eb at\u00eb periudh\u00eb thjeshtohet dhe b\u00ebhet m\u00eb praktike.<\/p>\n\n\n\n
Nga ana tjet\u00ebr, si reagim ndaj tmerreve t\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore, n\u00eb sken\u00ebn e artit u shfaq ekspresionizmi abstrakt, i cili bazohet n\u00eb krijimin e artit t\u00eb frym\u00ebzuar nga simbolet arkaike universale q\u00eb rezonojn\u00eb me t\u00eb gjith\u00eb shoq\u00ebrin\u00eb<\/strong> (njer\u00ebzimin\/humanity<\/strong>).<\/p>\n\n\n\n
Kjo nevoj\u00eb p\u00ebr t\u00eb zbuluar element\u00eb universal\u00eb q\u00eb bashkojn\u00eb t\u00eb gjith\u00eb shoq\u00ebrin\u00eb s\u00eb bashku me ndryshimet shoq\u00ebrore<\/strong> do t\u00eb \u00e7oj\u00eb n\u00eb d\u00ebbimin e veshjeve tradicionale nga p\u00ebrditshm\u00ebria, dhe pranimin e “mod\u00ebs per\u00ebndimore” jo vet\u00ebm n\u00eb Ballkan, por edhe n\u00eb vendet lindore si Japonia.<\/p>\n\n\n\n
Megjithat\u00eb, veshja tradicionale \u00ebsht\u00eb nj\u00eb burim i pasur frym\u00ebzimi q\u00eb mund t\u00eb p\u00ebrdoret p\u00ebr t\u00eb krijuar veshje bashk\u00ebkohore. Elementi ekologjik i pranish\u00ebm n\u00eb procesin e prodhimit t\u00eb veshjeve tradicionale \u00ebsht\u00eb ve\u00e7an\u00ebrisht i r\u00ebnd\u00ebsish\u00ebm, materialet natyrore, pigmentet natyrale t\u00eb p\u00ebrdorura n\u00eb procesin e ngjyrosjes s\u00eb tyre dhe sigurisht p\u00ebrpunimi i tyre me dor\u00eb, t\u00eb cilat nevojiten p\u00ebr t\u00eb krijuar nj\u00eb veshje moderne sipas parimeve t\u00eb mod\u00ebs t\u00eb q\u00ebndrueshme.<\/p>\n\n\n\n
N. Sh. Tek popullata e re vihet re nj\u00eb braktisje e asaj q\u00eb quhet veshje konvencionale, ndaj shihen shpesh lloje t\u00eb ndryshme flok\u00ebsh, veshjesh, k\u00ebpuc\u00ebsh… Si do t\u00eb zhvillohet veshja p\u00ebr nga praktika dhe bukuria n\u00eb t\u00eb ardhmen tek ne?<\/strong><\/p>\n\n\n\n
A. I. Drejtimi n\u00eb t\u00eb cilin do t\u00eb zhvillohet prakticiteti dhe bukuria e veshjeve varet nga shum\u00eb faktor\u00eb t\u00eb jasht\u00ebm q\u00eb jan\u00eb kryesisht t\u00eb paparashikuesh\u00ebm. Edhe pse n\u00eb bot\u00ebn e tendencave \u201ce ardhmja\u201d \u00ebsht\u00eb gjithmon\u00eb e parashikueshme, i nj\u00ebjti rregull nuk vlen p\u00ebr bot\u00ebn reale. Por mund t\u00eb themi se rritja e stilit “jo konvencional”, si rezultat i shijes subjektive t\u00eb popullat\u00ebs s\u00eb re, q\u00eb pranon vet\u00ebm pjes\u00ebrisht trendet aktuale, nuk \u00e7on n\u00eb nj\u00eb t\u00eb ardhme n\u00eb t\u00eb cil\u00ebn mbizot\u00ebron shprehja e stilit individual. Duket se p\u00ebr t\u00eb rinjt\u00eb veshja nuk ka vet\u00ebm nj\u00eb funksion utilitar, por \u00ebsht\u00eb nj\u00eb mjet shpreh\u00ebs p\u00ebrmes t\u00eb cilit ata shprehin q\u00ebndrimet e tyre personale<\/strong> dhe definicionin e bukuris\u00eb.<\/p>\n\n\n\n
N. Sh. T\u00eb merresh me artin, kultur\u00ebn dhe dizajnin \u00ebsht\u00eb e v\u00ebshtir\u00eb n\u00eb vendet ku njer\u00ebzit nuk kan\u00eb mund\u00ebsi t\u00eb mjaftueshme p\u00ebr t\u00eb ndar\u00eb koh\u00eb, burime financiare dhe energji p\u00ebr k\u00ebto q\u00ebllime. Por Amra, si \u00ebsht\u00eb t\u00eb punosh n\u00eb k\u00ebto aktivitete me gjith\u00eb pengesat?<\/strong><\/p>\n\n\n\n
A. I. Khalil Gibran thot\u00eb se bukuria nuk \u00ebsht\u00eb nevoj\u00eb, por nj\u00eb ekstaz\u00eb, dhe un\u00eb mendoj se p\u00ebrkund\u00ebr t\u00eb gjitha kushteve dhe pengesave t\u00eb v\u00ebshtira, njer\u00ebzit gjithmon\u00eb do t\u00eb gjejn\u00eb koh\u00eb p\u00ebr ta p\u00ebrjetuar at\u00eb ekstaz\u00eb dhe p\u00ebr t\u00eb ikur nga realiteti.<\/p>\n\n\n\n
P\u00ebr mua, si krijuese, bukuria \u00ebsht\u00eb n\u00eb procesin e krijimit t\u00eb nj\u00eb cope rrob\u00eb dhe \u00ebsht\u00eb ekstaza ime nga e cila nuk do t\u00eb doja t\u00eb hiqja dor\u00eb, pavar\u00ebsisht nga t\u00eb gjitha pengesat. Por p\u00ebrtej q\u00ebndrimit tim \u201cromantizues\u201d ndaj procesit krijues, ndjesia \u00ebsht\u00eb ve\u00e7an\u00ebrisht e k\u00ebnaqshme kur nj\u00eb ide p\u00ebrkthehet n\u00eb realitet, n\u00eb nj\u00eb veshje q\u00eb b\u00ebhet pjes\u00eb e jet\u00ebs s\u00eb njeriut dhe i sh\u00ebrben asaj.<\/p>\n\n\n\n
N. Sh. S\u00eb fundi, \u00e7far\u00eb do t’u rekomandonit stilist\u00ebve t\u00eb rinj q\u00eb duan t\u00eb shprehin veten dhe t\u00eb kontribuojn\u00eb n\u00eb bukurin\u00eb e atyre q\u00eb duan t\u00eb blejn\u00eb nj\u00eb veshje nga linja e tyre e mod\u00ebs?<\/strong><\/p>\n\n\n\n
A. I. N\u00ebse veshjet q\u00eb i krijojn\u00eb, i trajtojn\u00eb si mjet shpreh\u00ebs, at\u00ebher\u00eb duhet t\u00eb krijojn\u00eb gjuh\u00ebn e tyre vizuale me t\u00eb cil\u00ebn do ta arrijn\u00eb at\u00eb q\u00ebllim. M\u00ebnyra e vetme p\u00ebr t\u00eb krijuar at\u00eb qasje personale \u00ebsht\u00eb p\u00ebrmes studimit t\u00eb stileve t\u00eb tjera ekzistuese, dometh\u00ebn\u00eb p\u00ebrmes studimit t\u00eb historis\u00eb s\u00eb mod\u00ebs dhe qasjeve dalluese t\u00eb stilist\u00ebve t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb mod\u00ebs. Veshja p\u00ebrve\u00e7 natyr\u00ebs shpreh\u00ebse \u00ebsht\u00eb ende nj\u00eb objekt utilitar, i cili duhet t\u00eb jet\u00eb funksional dhe praktik, ndaj jan\u00eb t\u00eb nevojshme edhe studimi i modelimit dhe rrobaqep\u00ebsis\u00eb. Modelimi do t’i ndihmoj\u00eb ata t\u00eb vendosin kufijt\u00eb midis t\u00eb mundshmes dhe t\u00eb pamundur\u00ebs, kufij q\u00eb drejtojn\u00eb edhe vet\u00eb procesin krijues.<\/p>\n\n\n\n
Si\u00e7 e kemi p\u00ebrmendur tashm\u00eb, bukuria e rrobave varet nga disa faktor\u00eb: prerja e saj, materiali i p\u00ebrdorur dhe sa sakt\u00eb \u00ebsht\u00eb qepur. Por bukuria e personit q\u00eb e vesh nuk varet nga ajo veshje, por nga sa i p\u00ebrshtatet karakterit t\u00eb tij. N\u00ebse dikush tashm\u00eb ka vendosur t\u00eb blej\u00eb nj\u00eb veshje nga koleksioni i dikujt, kjo do t\u00eb thot\u00eb se ajo pjes\u00eb e veshjes p\u00ebrputhet me p\u00ebrkufizimin e tyre p\u00ebr t\u00eb bukur\u00ebn dhe tashm\u00eb ka harmoni mes asaj veshjeje dhe personit q\u00eb d\u00ebshiron ta vesh\u00eb at\u00eb. I vetmi hap q\u00eb duhet t\u00eb nd\u00ebrmarr\u00eb stilisti n\u00eb at\u00eb rast, p\u00ebr t\u00eb arritur harmonin\u00eb absolute \u00ebsht\u00eb t\u00eb modifikoj\u00eb veshjen sipas struktur\u00ebs s\u00eb trupit t\u00eb atij q\u00eb e vesh.<\/p>\n\n\n\n
M\u00eb posht\u00eb mund t\u00eb shihni disa nga pjes\u00ebt nga koleksionet e mark\u00ebs ARMA t\u00eb Amra Ismanit.<\/strong><\/p>\n\n\n\n
Lekturoi: E. M.<\/strong><\/p>\n\n\n\n
P\u00ebrktheu: E. M.<\/strong><\/p>\n\n\n\n
\n
\"Pars
Pars pro toto, ARMA<\/figcaption><\/figure>\n\n\n\n
\"Pars
Pars pro toto, ARMA<\/figcaption><\/figure>\n\n\n\n
\"The
The Stained Glass Dress, ARMA, Photo Lirim Hoxha<\/figcaption><\/figure>\n\n\n\n
\"The
The Multifunctional Toga Dress, ARMA, Photo Lirim Hoxha<\/figcaption><\/figure>\n\n\n\n
\"The
The Multifunctional Toga Dress, ARMA, Photo Lirim Hoxha<\/figcaption><\/figure>\n\n\n\n
\"The
The Multifunctional Toga Dress, ARMA, Photo Lirim Hoxha<\/figcaption><\/figure>\n
Some of the designs of Amra Ismani<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"
Ndryshe nga moda, ku elementi m\u00eb i r\u00ebnd\u00ebsish\u00ebm \u00ebsht\u00eb rezultati p\u00ebrfundimtar, d.m.th. pjesa e veshjes q\u00eb krijohet, teoria e artit m\u00eb sfidon p\u00ebr faktin se zbulon “sekretet” q\u00eb fshihen n\u00ebn sip\u00ebrfaqen e vepr\u00ebs artistike, nga kuptimi simbolik i formave, figurave dhe elementeve t\u00eb p\u00ebrfaq\u00ebsuara, p\u00ebr kushtet politike dhe sociale n\u00eb t\u00eb cilat u krijua vepra deri n\u00eb gjendjen psikologjike dhe emocionale t\u00eb artistit q\u00eb e krijoi t\u00eb nj\u00ebjt\u00ebn gj\u00eb.<\/p>\n","protected":false},"author":2,"featured_media":11642,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","filesize_raw":"","footnotes":""},"categories":[58],"tags":[112],"class_list":{"0":"post-11742","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-58","8":"tag-amra-ismani"},"_links":{"self":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/11742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11742"}],"version-history":[{"count":4,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/11742\/revisions"}],"predecessor-version":[{"id":11751,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/posts\/11742\/revisions\/11751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=\/wp\/v2\/media\/11642"}],"wp:attachment":[{"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasniidei.mk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}